Theatre as Music - Music is a basic component in any kind of theatre. It may take the form of song and music or provide the rhythm that seeps into the dramatic structure of a performance. Frans Winther, the composer of the Odin Teatret has over a number of years developed a series of workshops, focusing on theatre as music. In the workshops actors, dancers, musicians, directors, students, drama teachers and singers work together concretely using voice, song, improvisations and montage.

Musical Dramaturgy - A performance is a symphony of words, images, movements, but also sound that provides the impetus to its artistic drive. The concept of musical tension is a complex phenomenon that is evident to the listener or the spectator yet hard to describe formally. The musical dramaturgy is a core point for the artistic result of any performance. It may be expressed through song, instrumental music, and the rhythm that underscores the dramatic structure of a performance.

Frans Winther studied composition at the Nordjysk Musikkonservatorium. Since 1987 in collaboration with Odin Teatret in Holstebro, Denmark. He composed music to theatre performances by the Odin Teatret, directed by Eugenio Barba. (more)

Trei seri marca artSpect = Imersiune în universul teatral al celor trei maestri ai scenei contemporane prin intermediul a trei carti, patru filme si un numar nedeterminat de dezbateri pasionante. Parteneri: Centrul Cultural Francez si Facultatea de Teatru si Televiziune din Cluj-Napoca.

Focus on understanding and strengthening the presence of the actor in live performance.Character building discovered through the body, through rhythm and through analysis of the single major driving force behind all theatre:  Story. Rhythms in the body and in the voice, orchestration of the spoken and chanted word and of naturalistic texts. Rhythm and music related to text in different traditions – occidental, oriental and far eastern. Ways of approaching  the voice and body as either independent or interdependent forms of expression.An exploration through movement, rhythm and storytelling of some of the most essential tools available to the actor.

Jean-Jacques Lemêtre is an internationally renowned composer, musician and professor of music, composing music for both theatre and film. He composed and interpreted music to theatre performances by Ariane Mnouchkine at the Théâtre du soleil. (more)

Atelierul de improvizatie teatrala pentru profesori este o explorare a unor moduri de a transforma orele de curs în instrumente de dezvoltare a personalitatii si creativitatii elevilor prin intermediul unor jocuri si exercitii de exprimare corporala, vocala, de concentrare, energizare, relationare.

Finantator: Administratia Fondului Cultural National

O imersiune în universul teatral al celor trei maestri ai scenei contemporane prin intermediul a trei carti ArtSpect, trei filme si un numar nedeterminat de dezbateri pasionante.

"Workshop for researching movement and voice based on Japanese culture.

The earth and sky move, the universe moves and human beings are made to move.

We can learn something about our universe by exploring our body's movements.

It is said a Japanese philosopher that human body is, in fact, a universe on a reduced scale."

YOSHI OIDA

“Yoshi Oida shows how the mysteries and secrets of performance are inseparable from a precise, concrete and detailed science learned in the heat of experience. The vital lessons he passes on to us are told with such lightness and grace that, typically, the difficulties become invisible.”

PETER BROOK

O imersiune în universul teatral al celor trei maestri ai scenei contemporane prin intermediul a trei carti ArtSpect, trei filme si un numar nedeterminat de dezbateri pasionante.

Discipol al maestrului de teatru Noh (kyogen) Okura-San iar ulterior colaborator timp de peste 30 de ani al lui Peter Brook, Yoshi Oida este un exemplu unic şi fascinant de reunire a tehnicilor teatrului oriental cu cele ale teatrului occidental, ambele la cote maxime de măiestrie. În studiul captivant despre arta actorului, scris împreună cu Lorna Marshall, Yoshi Oida explică faptul că atunci când spectatorii îşi dau seama de metodele actorului, misterul spectacolului dispare. Metodele prin care actorul uimeşte publicul trebuie să rămână ascunse, actorul trebuie să fie invizibil.

Detalii...

Dând cuvântul în primul rând Arianei Mnouchkine, întrebările autoarei Josette Féral sunt orientate spre convingerile regizoarei în privinţa jocului actorului: Care sunt legile fundamentale ale teatrului? Ce înseamna prezenţa scenica? Care sunt calitaţile necesare jocului actoricesc?

Detalii...